Inhalt: One of the most common visual effects tasks is to replace an image or video in a shot with another-be it a computer screen, a picture on a wall, a bumper sticker on a car, etc. This project-oriented course walks you through the major steps of replacing screens in After Effects, including tracking a screen in mocha AE, matching the new display to the depth-of-field blur and lighting of the original shot, and then cutting out a hand obscuring the screen using the Roto Brush and Refine Edge. A bonus movie at the end of the course discusses alternative approaches, including a demonstration of using reversible stabilization in Warp Stabilizer VFX for the tracking portion of the shot. This course was created and produced by Chris and Trish Meyer. We're honored to host this content in our library. Umfang: 01:40:20.00
Inhalt: A common motion graphics task is to take a client's 2D logo and make it fly: extruding it into 3D, lighting it, animating it, and rendering it for video. But what if you've never created a 3D logo before? No worries! In this entry-level project-based course, After Effects veteran Chris Meyer will show you how to pull it off using Illustrator, After Effects, and the powerful 3D plugin bundled with Creative Cloud, CINEMA 4D Lite. We're not promising you'll be a 3D guru in two hours, but you'll certainly learn enough to make your logos take flight-and hopefully lift your client's expectations as well. Umfang: 02:01:12.00
Inhalt: Want to raise the impact of your edits and animations? One of the secrets is to tightly synchronize them to your audio-be it music or speech. If you cut video to follow major events in the soundtrack, or use audio to drive animation with the help of keyframe assistants, expressions, and effects, you can create a more compelling cinematic experience. In this course, Chris Meyer teaches you how to "read" an audio waveform to spot the most interesting points to animate to, and then presents a variety of ideas for cutting video and animating movements to match your soundtrack. This includes timing transitions, making staccato cuts, matching the frame rate to the tempo, wiggling in time, expressing animations to sound, motion sketching to music, and more. Although these tricks will be demonstrated inside Adobe After Effects, the techniques themselves are applicable to virtually any editing or animation package. This course was created and produced by Chris and Trish Meyer. We are honored to host this content in our library. Umfang: 02:37:35.00
Inhalt: One of the most exciting areas of modern music creation is modular synthesis, where you get to assemble your own flexible and customizable instruments using components (aka modules) from a variety of manufacturers. In this course, music industry veteran and synth designer Chris Meyer guides you through putting together a modular system and interconnecting it with the rest of your studio. He reviews typical module arrangements, explains how the modules talk to each other, and covers details such as the differences between waveforms, filter modes, envelope types, and more. This course will be based around the widely available Roland SYSTEM-500 Eurorack-standard synthesizer modules, complemented with modules from several other manufacturers. As most modules, synthesizer keyboards, and plugins are designed around the same principles, this course lets you dig deeper into synthesis and programming your sounds regardless of the equipment you own. Umfang: 03:51:36.00
Inhalt: One of the most exciting areas of music creation is modular synthesis, where you get to interconnect the fundamental building blocks of a synthesizer to create your own instrument. In this course, music industry veteran and synth designer Chris Meyer uses the Arturia Modular V software-a realistic emulation of the original Moog modular synths of the 1960s and 1970s-to teach you how to "patch" a modular synth to create your own sounds. Chris starts with the fundamentals of how harmonics and sound work, as well as how to connect the modules together. He then goes through the main modules individually, explaining the differences between oscillator waveshapes, filter types, and more, while demonstrating how to use them in a musical context. The third chapter teaches advanced techniques such as frequency and amplitude modulation, as well as using the effects and advanced filters in Arturia Modular V. Umfang: 03:08:19.00
Inhalt: You have a small core modular or semi-modular synth, and you're wondering: What should I add next to grow the capabilities of my system? And how can I get the most out of what I buy? In this extensive course, synth designer Chris Meyer reveals the important utility or "glue" modules you need to expand a core system such as a Moog Mother-32, and then explores a selection of the wide range of modules available in the Eurorack modular synthesizer format. Each chapter on a module type-such as oscillators, filters, modulators, and more-starts with a general movie showing you what features to look for in a module and how to patch it into your system, and then dives into three contrasting, representative examples of modules available inside that category. Along the way, Chris reveals a wide variety of synthesis tricks and techniques for the performer or sound designer, with styles ranging from melodic to dance to noise/industrial. This course has been designed as the logical follow-up to the original Learning Modular Synthesis or Learning Modular Synthesis: Moog Mother-32 courses, and should be helpful to a wide range of modular synthesists. Umfang: 06:58:20.00
Inhalt: The Moog Mother-32 is a very popular starter instrument for those looking to get into modular synthesis. It contains a capable one-oscillator synthesizer voice with a Moog design filter, as well as surprisingly full-featured step sequencer. Best of all, it's a semimodular synth in that all of its components are already wired together and able to create sounds right out of the box. But it also contains a Patch panel, allowing you to override its internal wiring as well as connect it to external synthesizer modules. Synth designer Chris Meyer gives you a quick-start introduction to all three of these sections of the Moog Mother-32, including how to mount the Mother-32 into a Eurorack-format case, plus important advice on the first external modules you might want to add to it. Umfang: 01:59:27.00
Inhalt: Whether you're editing a documentary film, a TV commercial, or a corporate video, you often need to focus on a specific sentence or phrase that's part of a longer, perhaps unscripted statement. However, the speaker doesn't always leave you enough room between phrases to cleanly extract the desired segment. In this quick course, Chris Meyer will show you how to select a clip in Adobe Premiere Pro or After Effects, and use a combination of time remapping, frame blending, and audio fades in After Effects to extend these pauses so that you'll have sufficient handle for crossfades or other transitions. This trick will allow you to rescue previously unusable sound bites and raise the production value of the final result. This course was created and produced by Chris and Trish Meyer. We are honored to host this content in our library. Umfang: 00:35:20.00
Inhalt: Have you ever been handed substandard footage and have a client expect you to spin this straw into gold? In this course, motion graphics veteran and After Effects expert Chris Meyer shares his favorite tricks to take boring footage and create a more professional, compelling result. Most of these tricks can be performed inside Adobe Premiere Pro without the need for third-party effects. Some techniques also use After Effects, taking advantage of Dynamic Link, which makes the changes appear directly in your Premiere Pro timeline. The results add polish and production value-without missing deadlines or blowing the budget. This course was created and produced by Chris and Trish Meyer. We are honored to host this content in our library. Umfang: 02:03:38.00
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